Two books recently made into movies set forth nearly opposite views of the world. Graham Greene's novel The Quiet American should be titled The Decadent Brit since the dominant character is a debauched British journalist named Fowler. He reports from Vietnam in the dying days of French occupation, just as a few American agents are infiltrating the country—among them Pyle, the shadowy "quiet American" in whose murder the Brit conspires.
Fowler takes a Vietnamese mistress and spends his evenings puffing on an opium pipe. He has a cynical view of the French, the Vietnamese, the Americans, and especially himself. As he put it, "I envied those who could believe in a God, and I distrusted them. I felt they were keeping their courage up with a fable of the changeless and the permanent. Death was far more certain than God."
The second book was To End All Wars, the autobiographical account by Ernest Gordon, a British Army officer captured by the Japanese during World War II and assigned to the building of the Burma-Siam railway. Each day Gordon joined a work detail of prisoners to build a track bed through low-lying swampland. If a prisoner appeared to lag, a Japanese guard would beat him to death or decapitate him. Many more men simply dropped dead from exhaustion, malnutrition, and disease. Ultimately, 80,000 prisoners died.
Gordon could feel himself gradually wasting away from a combination of beriberi, worms, malaria, dysentery, typhoid, and diphtheria. Paralyzed and unable to eat, he asked to be laid in the Death House. Gordon's friends, however, had other plans. They carried his shriveled body on a stretcher from that contaminated place to a new bed of split bamboo.
Something was astir in the prison camp, something that Gordon would call "miracle on the River Kwai." For most of the war, the prison camp had served as a laboratory of survival of the fittest, every man for himself. Men lived like animals, and for a long time hate was the main motivation to stay alive.
Recently, though, a change had come. One event in particular shook the prisoners. A Japanese guard discovered that a shovel was missing. When no one confessed to the theft, he screamed, "All die! All die!" and raised his rifle to fire at the first man in the line. At that instant an enlisted man stepped forward and said, "I did it."
Enraged, the guard lifted his weapon high in the air and brought the rifle butt down on the soldier's skull, killing him. That evening, when tools were inventoried again, the work crew discovered a mistake had been made: No shovel was missing.
One of the prisoners remembered the verse, "Greater love hath no man than this, that a man lay down his life for his friends." Attitudes in the camp began to shift. With no prompting, prisoners began looking out for each other rather than themselves.
Gordon sensed the change in a very personal way as two fellow Scots came by each day and cared for him, dressing the ulcers on his legs and massaging the atrophied muscles. He put on weight and, to his amazement, regained partial use of his legs. By default, because he had studied some philosophy, he became the unofficial camp chaplain.
Gordon's book tells of a transformation within the camp so complete that when liberation finally came, the prisoners treated their sadistic guards with kindness and not revenge. Gordon's own life took an unexpected turn. He enrolled in seminary and became a Presbyterian minister, ending up as Dean of the Chapel at Princeton University, where he died in early 2002, just before the movie about his life was completed.
The miracle on the River Kwai was no less than the creation of an alternate community, a tiny settlement of the kingdom of God taking root in the least likely soil. To a man, the prisoners clung to the desperate hope that their life would not end in a jungle prison but would resume, after liberation, back in Scotland or London or wherever they called home. Yet, even if it did not, they would endeavor to build a community of faith and compassion in the days they had left. For them, God was more certain than death.
Perhaps something similar to this was what Jesus had in mind as he turned again and again to his favorite topic: the kingdom of God. In the soil of this violent, disordered world, an alternate community may take root. It lives in hope of a day of liberation. In the meantime, it aligns itself with another world, planting settlements-in-advance of that coming reign.
For those who have no such hope, Graham Greene's account of imperial decadence offers the bleak alternative. It ends with Fowler's lament: "How I wished there existed someone to whom I could say I was sorry."
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Christianity Today sister publication Books & Culturealso reviewedTo End All Wars.
The official site for The Quiet American provides trailers and critical reviews of the film. ChristianityToday.com's weekly Film Forum also compiled reviews of The Quiet American early this year:
For more CT movie reviews, see our Film archive and also our Film Forum area, a weekly roundup of what Christian critics are saying about new and noteworthy movies.
Philip Yancey is editor at large of Christianity Today and cochair of the editorial board for Books and Culture. Yancey's most recent book is What Good Is God?: In Search of a Faith That Matters. His other books include Prayer (2006), Rumors of Another World (2003), Reaching for the Invisible God (2000), The Bible Jesus Read (1999), What's So Amazing About Grace? (1998), The Jesus I Never Knew (1995), Where is God When It Hurts (1990), and many others. His Christianity Today column ran from 1985 to 2009.