History

What Did Slave Songs Sound Like?

Slave songs typically consisted of four-line stanzas alternating with four-line choruses. Within that structure, solo verses alternated with refrains.

Stanzas most often took the aaab form (three repeated lines and a refrain) or aaba form (two repeated lines, one new line, then a repeat of the first line). Occurring less frequently was the abcd form (no repetition of text).

As the following spiritual illustrates, stanza and chorus were linked through the recurrence of refrain lines common to both:

We’ll run and never tire, (a)
We’ll run and never tire, (a)
We’ll run and never tire, (a)
Jesus sets poor sinners free. (R)

Way down in the valley, (a)
Who will rise and go with me? (b)
You’ve heard talk of Jesus, (c)
Who set poor sinners free. (R)

The lightning and the flashing, (a)
The lightning and the flashing, (a)
The lightning and the flashing, (a)
Jesus sets poor sinners free. (R)

Most melodies used the notes of either the major scale (seven notes) or the pentatonic scale (five notes) with flatted (or “bent”) tones.

Rhythmically, slave songs were most frequently in simple duple meters (two beats per measure) as opposed to triple meters.

What gave a distinctive African character to most of the slave songs was the call-and-response pattern. Overlapping occurred: individuals began the refrain before the leader concluded his solo “call,” and the leader began to sing the “call” before the group had finished singing the chorus.

Even though slave songs were transcribed as single-line melodies, usually they were not sung in unison. The singers followed the melodic line for the most part, but they allowed themselves to wander from it when its notes were too high, when the text called for special emphasis, or when more variety was needed.

Recurrent themes in both religious and secular folksongs included faith, hope, patience, weariness, and the struggle to be free.

Angela M. S. Nelson is a doctoral candidate in American culture at Bowling Green (Ohio) State University.

Copyright © 1991 by the author or Christianity Today/Christian History magazine.Click here for reprint information on Christian History.

Our Latest

Wicked or Misunderstood?

A conversation with Beth Moore about UnitedHealthcare shooting suspect Luigi Mangione and the nature of sin.

Review

The Virgin Birth Is More Than an Incredible Occurrence

We’re eager to ask whether it could have happened. We shouldn’t forget to ask what it means.

The Nine Days of Filipino Christmas

Some Protestants observe the Catholic tradition of Simbang Gabi, predawn services in the days leading up to Christmas.

Why Armenian Christians Recall Noah’s Ark in December

The biblical account of the Flood resonates with a persecuted church born near Mount Ararat.

The Bulletin

Neighborhood Threat

The Bulletin talks about Christians in Syria, Bible education, and the “bad guys” of NYC.

Join CT for a Live Book Awards Event

A conversation with Russell Moore, Book of the Year winner Gavin Ortlund, and Award of Merit winner Brad East.

Excerpt

There’s No Such Thing as a ‘Proper’ Christmas Carol

As we learn from the surprising journeys of several holiday classics, the term defies easy definition.

Advent Calls Us Out of Our Despair

Sitting in the dark helps us truly appreciate the light.

Apple PodcastsDown ArrowDown ArrowDown Arrowarrow_left_altLeft ArrowLeft ArrowRight ArrowRight ArrowRight Arrowarrow_up_altUp ArrowUp ArrowAvailable at Amazoncaret-downCloseCloseEmailEmailExpandExpandExternalExternalFacebookfacebook-squareGiftGiftGooglegoogleGoogle KeephamburgerInstagraminstagram-squareLinkLinklinkedin-squareListenListenListenChristianity TodayCT Creative Studio Logologo_orgMegaphoneMenuMenupausePinterestPlayPlayPocketPodcastRSSRSSSaveSaveSaveSearchSearchsearchSpotifyStitcherTelegramTable of ContentsTable of Contentstwitter-squareWhatsAppXYouTubeYouTube