Colombian cyclists often refer to themselves as escarabajos or “beetles,” drawing a comparison between the journeys of the small bugs across their varied terrain with those of bicyclists pedaling up and down their country’s mountainsides. For one of Latin America’s most popular Christian artists—a self-proclaimed escarabajo—a grueling ride can help generate a new song.
“There is no recipe. I don’t have anything special. While I’m riding my bike, there’s a melody, a theme going around in my head,” said Alex Campos, who hails from Bogotá, a city that sits at more than a mile and a half high. “It’s about being connected, meditating not only on the Word but on the things that God does in your life—the good and bad.”
It may be true that Campos has no secret recipe for a hit song, but he has won five Latin Grammys over the course of his career and is one of the most influential Latin American Christian artists in the industry. His most popular songs, like Al taller del Maestro (“To the Master’s Workshop”), have crossed from Christian to secular radio stations throughout the Spanish-speaking world. He averages 1.9 million monthly listeners on Spotify and has 2.55 million channel subscribers on YouTube.
According to Colombian Billboard journalist Luisa Calle, who highlighted Campos’s “Pan Duro” as one of the best Latin American Christian songs of 2023, persistence and musical versatility have sustained his long career.
“Campos does not think that he has already achieved everything. He continues to evolve; he continues to innovate; he continues pursuing new goals,” Calle told CT.
Campos’s ability to work in various Latin American folk and dance genres has allowed him to collaborate widely and produce music that draws on a different combination of styles and regional musical traditions, said Calle. Campos has worked with not only an array of Christian popular musicians but also mainstream vallenato (a Colombian folk genre) and ranchera (a traditional genre rooted in rural Mexico) artists, including Fonseca, Silvestre Dangond, Jorge Celedón, and Yeison Jiménez. “Pan Duro” is a bachata (a dance genre originating in the Dominican Republic) song that also draws on bolero (a Cuban poetic song style) and ballad sensibilities.
“Colombian artists are very versatile because there is great musical diversity in our country,” said Calle. “Alex has been able to make the most of that.”
These days, Campos has given up the mountains of Colombia for Houston, Texas, a city whose downtown is nearly at sea level. The Christian pop star is now releasing music as an independent artist and attends the Spanish-speaking congregation of Lakewood Church, a move that reflects some of the broader trends in global contemporary worship music and transnational evangelicalism in the Americas. His latest album, Esencia, released on August 23, has a new sound, combining conventions of contemporary worship music from the US and Australia with style elements of Latin pop and other regional Latin American genres.
With Esencia, Campos continues to lean into his versatility as he starts a new chapter of his career, turning his attention to music that serves church congregations and contributes to a growing body of contemporary worship music written in Spanish, for Spanish-speaking communities (rather than translated). Campos has served as a worship leader and preacher throughout his career (he was featured in Hillsong’s 2012 Global Project), but the album marks his entry into worship music as a songwriter.
“I have wanted to make a congregational album for a long time,” Campos told CT. “Esencia is an album of music that can be sung in churches. I’m very excited about that.”
In the Latin American Christian music industry, as in the US, worship music has become the dominant genre within the niche, and artists who have written radio hits are increasingly seeing worship music production as both a spiritually fulfilling endeavor and a strategic career move. This trend has made waves in Brazil, as popular secular artists are crossing over into the Christian sphere to release worship tracks.
Christian music is one of the fastest-growing musical genres in the US—growth that is fueled by the popularity of worship music. Artists like Brandon Lake are finding success straddling the boundary between Christian pop or rock and contemporary worship. And as that boundary has become fainter, Christian artists are increasingly creating music for congregations and Christian radio.
Campos has been navigating the changing Christian music industry for years, but now he’s doing so from a home in a new country.
“It is difficult to let go of your culture, food, and family. We did not come because we wanted to, but out of obedience to God. It took me a year to understand his purpose for us here,” said Campos. “I feel like I’m starting my career all over again.”
Although he isn’t typically outspoken about his politics, Campos said that political changes in Colombia contributed to his decision to leave the country.
In 2022, former guerrilla leader Gustavo Petro, a leftist leader with an unfriendly relationship with the country’s evangelical churches, was elected president of Colombia. When he was mayor of Bogotá, Petro’s office refused to allow Góspel al Parque, the largest free Christian music festival in Latin America, to take place as planned in 2013. Some have perceived Petro’s election to the presidency as a sign that the country is becoming more and more politically fraught for Colombian evangelicals.
During a 2019 television interview, Campos was asked what he thought of then presidential candidate Petro. “If that man is elected president, I will leave the country,” he said.
Reflecting on the interview, Campos said, “I think I was expressing what many Colombians were feeling—that if a leftist government came to power, it was necessary to go out and look for other horizons.”
Campos moved to the Houston suburbs with his family in April 2022. He has found new career opportunities in Texas, but the transition has come with personal challenges. The musician struggled with depression during his first months in the US, a painful experience he says helped him empathize with other immigrants. It also spurred him to double down on his faith.
“Many of the Latinos who come here end up getting absorbed in work, and they move away from the church,” he said. “But we know that if God brought us here, it is because this country needs to be passionate about the Lord again, and Latino Christians are part of his plan to rekindle that flame.”
Campos speaks openly about his belief in God’s ability to heal and work miracles. In 2002, he was diagnosed with a tumor in his throat and lost his voice just days after beginning the tour to launch his first album. Doctors warned that his singing ability would be affected by the surgery to remove it, cutting his vocal capacity in half. According to Campos, when he went in for a consultation before his surgery, the tumor was gone.
“When I understood that God didn’t want my voice but my heart, I was healed.”
After that health scare, Campos embarked on a decades-long career that has made him arguably the most recognized Colombian Christian artist in Latin America.
Where Worship Doesn’t Translate
Now he is expanding his reach in the US market, writing and recording songs in English and in Spanish. Campos’s 2023 album, Vida, included a song with English and Spanish lyrics. “Libre,” the single from his new album, also has lyrics in both languages and features popular American Christian artist Tauren Wells. The song, released on June 21 of this year, has over 1 million views on YouTube.
After a decade of being signed to major record labels such as CanZion or Essential Records (Sony Music), Campos is pursuing his career as an independent artist, an increasingly popular path for artists who can leverage social media to promote their music without the oversight (or overreach) of a major label. Last year, Campos managed and produced his own 13-concert tour around the US.
Lakewood Church in Houston, Campos’s new home church, is led by Joel Osteen and is one of the largest in the US. Costa Rican musician and preacher Danilo Montero is the pastor of Lakewood’s large Spanish-speaking congregation. Before Montero, the congregation was pastored by influential worship artist Marcos Witt.
The stability and support of Lakewood have allowed Campos to pursue his career as an independent artist and participate in worship music production and leadership in both English and Spanish. Although Campos is not on staff at Lakewood, he is an occasional collaborator with Lakewood Music. Campos said that Houston has been a good place to build relationships with other Christian artists and worship leaders.
“Recently the guys from Miel San Marcos [a Dove Award–winning Guatemalan Christian band] were at my house,” Campos said. “Bani Muñoz, Harold and Elena, Ingrid Rosario, or Thalles Roberto … There are a lot of people here to share coffee, lunch, a good chat. We are edified by living near so many fellow Christian musicians who have blessed us.”
As Campos has turned toward worship music as a songwriter, he has had to adapt his poetic lyricism and gift for imagery.
“His lyrics are quite complex; they are not the simple or conventional lyrics we generally see within Christian music,” Billboard’s Calle told CT. “I think the personal stories he describes in his songs—stories of struggle and faith—and his vulnerability help him to connect with people.”
Although Escencia is clearly a foray into contemporary worship music, Campos has not abandoned his interest in blending Latin American genres. As the album’s subtitle, “Latin Worship,” suggests, Campos is bringing those genres into conversation with the style and aesthetic characteristics of popular worship. Songs like “Libre,” “Gracias Cristo,” or “Te Amo” fit the canons of modern worship. But others like “Rumbo Pa la Iglesia” boldly mix musical styles as different as regional Mexican and joropo (a genre originating in the eastern Colombian plains). “Veo Tu Gloria” oscillates between Argentine tango and Puerto Rican salsa.
These days, Campos writes for the church as he navigates life in a new country and in the context of a new faith community, away from familiar landscapes. Last month, Hurricane Beryl brought huge pine trees down onto their house and car.
“Just as nature recovers over time, we too can find within ourselves the strength to overcome challenges,” Campos wrote on Instagram. “This incident is not the end, but a new beginning. It teaches us to value what we have, to be resilient and to trust that we can always rebuild and flourish again.”
Campos isn’t building a career from scratch, but he sees this season of his life and career as distinct, marked by writing music for the global church and helping define the evolving genre of Latin worship. He is still an escarabajo at heart, steadily and persistently moving along, traversing difficult terrain and finding ways to keep momentum.
“Sometimes I feel like I’m building a new career,” said Campos. “He has taken me out of my comfort zone, which just makes me more dependent on faith in Jesus.”
Hernán Restrepo is a Colombian journalist living in Bogotá. Since 2021, he has been managing Christianity Today’s social media accounts in Spanish.
